Water guided us along the traces of the Hadrianic Aqueduct in the city of Argos, through a unique walking experience that brought history, landscape, and memory vividly to life. Organized by the Arete Fund as part of the Telesilla Talks & Walks series, the event offered participants the opportunity to rediscover the timeless relationship between the city and its water.
Beginning at the Kriterion–Nymphaeum, beneath the shadow of the Monastery of Portokalousa, the route unfolded through some of the most important historical points of Argos. Guided by archaeologist Konstantinos Tziampasis, participants followed a path rich in stories, light, and heritage, exploring the enduring presence of water in the oldest continuously inhabited city of Greece.
The walk included stops at the Ancient Theatre, the Roman Baths, the Ancient Agora, and the slopes of Larisa Hill, where traces of the Roman aqueduct can still be seen today. Continuing toward the bridge of the Charadros River and onward to Chouni, visitors observed the remains of the aqueduct’s four water bridges, gaining a close understanding of the engineering skill and architectural importance of this remarkable Roman monument.
During the concluding lecture, Mr. Tziampasis highlighted the technological and cultural significance of the Hadrianic Aqueduct, an impressive work extending for nearly thirty kilometers, from the springs of Kefalovryso to Argos. He emphasized that water management has always been a measure of civilization, demonstrating how public works such as aqueducts expressed both practical vision and a commitment to the common good.
The event formed part of the broader mission of Telesilla Talks & Walks, inspired by the Argive poet Telesilla, to unite culture, nature, and knowledge through meaningful engagement with place. Through this initiative, the Arete Fund once again affirmed its dedication to connecting art, education, and local heritage, presenting Argos not simply as a city of the past, but as a living cultural landscape that continues to inspire.
